JULIAN KREIMER

JULIAN KREIMER

  • Julian/Julián at Atkinson Gallery SBCC (2025)
  • Exhibition Archive
    • TSA LA (2017)
    • Hotel Pupik, Schrattenberg, Austria (2017)
    • LUX Institute Encinitas, CA (2015)
    • Weeknights Gallery, Brooklyn (2013)
  • El imaginario tecnocrático (with interviews)-- installation and clips (2025)
    • El imaginario tecnocrático (2025) clips
    • Billboards for Plastiline, Vienna, Austria (2018)
    • a technocratic imaginary -- silent video sketch, 4:48 (2018)
  • phigments; pulp paper works (2024)
  • la (in)herencia del inconsciente de la ultima caligrafía del Buenos Aires / The de-legacy of the last calligraphy of the Buenos Aires National High School (2024)
  • terrains of in-seeing; colored ink drawings (2023-2024)
  • snipped from mother's magazines; collages (2018-2021)
  • colored pencil drawings (mostly on abaca) (2016-2017)
  • plein-air paintings that look like the world around us (2009-2016)
    • plein-air night paintings
  • amalgams of memory, vision, and associations (aka studio abstract paintings) (2008-2015)
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la (in)herencia de la ultima caligrafía del Buenos Aires
2024
ink on 54 sheets of letterhead paper
67.5 x 77 inches (171.5 x 195.5 cm); individual sheets 7.5"x11"

I found 54 yellowing sheets of my father's circa-1990 letterhead in a stack of office supplies I inherited upon his move back to Argentina. His was the last cohort required to learn calligraphy in high school at the Colegio Nacional de Buenos Aires in the 1950s. Despite some half-hearted attempts, I never learned the form, but his sadistically rigorous calligraphy teacher came up often. The surrealist game of exquisite corpse, using black ink and a single nib-pen across the sheets, was the only way to excavate the psychological underconscious of this mastery that could not be passed down.